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Dreamwork and Social Evolution with Nicole McGee, Co-Founder, Cleveland Colectivo

12/2/2015

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Nicole McGee, Artist and Entrepreneur, is a Co-Founder and recipient of Cleveland Colectivo giving circle capital. Nicole shares how she engaged with a community of like-minded entrepreneurs in 2004 who wanted to invest in local creative enterprise for city wide impact and the resulting success she experiences today.

Dreamwork and Social Evolution
By 
NICOLE MCGEE, ARTIST, ENTREPRENEUR AND CO-FOUNDER, CLEVELAND COLECTIVO

Hi, I’m Nicole McGee. I’m the artistic director of Upcycle Parts Shop and we also run a pop-up boutique which is called Collective Upcycle, which is where I’m sitting right now.

I got involved with the Cleveland Colectivo at the very beginning back in 2004 when I was pretty new to Cleveland, Ohio and like many other people in Cleveland, wanted to do some investment, actually nationally thinking political campaigns were where my time and energy and the little resources I had mattered. 

That changes with experience, and some of us were feeling we didn’t want to donate and get an umbrella in the mail and never know where our money went. We want to donate and part of a change and see it and invite people to be part of it with us and invest in the city that we care about. 

Cleveland’s come a long way since 2004, and it’s fun to feel like that mattered and I got to be part of that. 

So, the Colectivo model - there’s power when people come together and there’s resources more than we realize. 

That’s a model I love to talk about and love to reframe. 
Above: Click/tap images to enlarge. Collective Upcycle, a pop-up boutique in the Gordon Square Arts District, Cleveland, Ohio USA. Explore the Flickr Album here.
I’ve worked as a grant writer and I feel like often causes and groups of people who have great ideas are in this paradigm of asking other people for money. That’s what’s fun about the giving circle model is to realize that if we all reach into our own pockets, and there’s a bunch of us, there’s not a lot in our pockets, but there are a lot of pockets together, right?
​
So, that’s what I think is exciting about the Colectivo model.

For me, it’s been many things including educational and investment in my own city. It’s also been a huge social boon. I met this group of people and we all came together and worked on things like, mission statement, and, “What are we going to call this thing?” And those things really help you build relationships as well as building a cause and a  “thing” that is now over ten years old. 

That was exciting but it also happened when I was new in the city. These are now friends, and neighbors and our children play together. That, is something I didn’t even expect. I would say that was the biggest boon to me, staying in the city and feeling invested because I met this group of people and we all sort of created something together. ​
ARTICLE: HOW TO START AND SUSTAIN YOUR GIVING CIRCLE BY KATHERINE READEY CHILCOTE
And then personally, as an artist, I got to apply to funding to my friends. I live in a really small home and I was working in a really small room in my really small home. I knew that I could scale what I was doing into something bigger but that I would need a place where I could bring people in and have meetings with corporate partners. 

I applied and ask them to help me with some start up funding to get an art studio. Because I wasn’t bankable in the sense that, I mean I owned my home, but I wasn’t building a business model that was based on investment and scaling and getting big and hiring people to work for me, I am an artist and I like to make things and I needed more space to do that.

That’s what funding from them allowed me to do, and then truthfully, where we’re sitting now and the story of what I’m doing now, it was me learning that an art studio and sitting by myself and whittling, which is sort of what it felt like, wasn’t really what I wanted to be doing either. 
STORE: THE CLEVELAND COLECTIVO GIVING CIRCLE MODEL PODCAST
I think that’s what’s nice about knowing that you’re supported as a person because I didn’t have to go back and say, “Everything has changed and I’m sorry.” It’s sort of like, “No, no, the evolution of this investment…” with my friends who would come to my studio and help me wrap my brain around what I really wanted to do next - happened together. 

And what I wanted really wanted to do next was to work with community to upcycle and to work with materials like I was doing but not just do it by myself. 

I think that’s the sweet spot for my work and the opportunity to connect more people into being creative and waste diversion and all of the stuff coming together and the places where I’d get to do it. 

Now, there’s other staff and I don’t have to cover the shifts at the shop and I get to make my own stuff, it’s for sale in this shop. It’s my dreamwork. I’ve learned that dreamwork is very, very hard even though it’s dreamwork the way I was picturing it in my head is a little bit fluffier and easier than what it really is.
​
But I have a great community of people here in Cleveland, Ohio and there’s been so much support for the work we’re doing. 
Above: Listen to "Dreamwork and Social Evolution with Nicole McGee, Co-Founder, Cleveland Colectivo" describes the effects of small amounts of cash and social endorsement to advance an individual artist's enterprise. 
This, right now, is a “pop-up boutique” - which is an activation of vacant space. It’s awesome because it’s right down the street from where I live and where my studio was and where we’re sitting and where I’m working.

It’s a pop-up because it’s just twelve weeks of being a “shop” in a space that is otherwise empty, so it’s donated to us. We activate it with the work of other artists who all upcycle. So, myself as well as others. 

We’re a great opportunity for holiday shopping as well as an excellent demonstration of creative re-use throughout the region, so it’s local and it’s the showcase of what we can do with the parts and pieces of what gets diverted to us everyday.


I feel really lucky. Cleveland is been a city that’s been really good to me. I found myself saying years ago to someone who asked me, “How do you like Cleveland?” 
Cleveland’s the kind of place that if you like it a little bit, it loves you back a lot.
I’ve never said that before but that’s truthfully how it feels and how it seems and how it has always been for me.

I feel that we’re all a lot more powerful and a lot smarter when we come together and we bring opportunities and brains together to create new things. Economics and the economy of bringing people together in our shop and as a giving circle, all of that is completely true as well. We’re all stronger together.


So, I encourage people to think about that giving circle model. It’s something bigger will happen and the effects of that reverberate throughout the community in which you’re investing. I think that’s probably something that we all want.
ARTICLE: THE POP-UP RETAIL MODEL BY NICOLE MCGEE, ARTIST AND ENTREPRENEUR
Nicole says being involved in Cleveland Colectivo from the start taught her just how the actions of friends working together can reverberate throughout a region. What do you think? Have you got a story you'd like to add or questions to ask? Use the comment window below!
​
  • Visit the Upcycle Parts Shop online at upcyclepartsshop.org/
  • Learn more about the Cleveland Colectivo, a giving circle model at clevelandcolectivo.org/home

Picture
Nicole McGee
Nicole McGee, is Co-Founder, Cleveland Colectivo and Artistic Director, Upcycle Parts Shop and Collective Upcycle, a pop-up boutique.

Nicole sells her artwork directly to local neighborhoods in showcase pop-up boutiques. The Upcycle Parts Shop, specializes in the creative re-use of business waste.

Visit the Upcycle Parts Shop online 
here.

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